The word “negro” will be erased from the new Swedish editions of the book series about Pippi Longstocking by Astrid Lindgren, Swedish media report. Karin Nyman, Lindgren’s daughter, has given her consent after having pondered the idea for several years.
This year Astrid Lindgren’s Pippi Longstocking series will celebrate its 70th anniversary and the new Swedish editions due to be published in spring will be slightly different; all notions of the notorious “negro” will be effaced. In the original texts the main character, Pippi, is described as “negro princess” whereas her father is referred to as a “negro king”. From now on Pippi’s father, seafarer Ephraim Longstocking, will be described as the “king of the South Seas”.
“We are replacing a word that is harmful for children,” said Karin Nyman, Lindgren’s daughter and the person who came up with the name for Pippi, in an interview to Dagens Nyheter. “I grew up in another world, when there were only white people in Sweden, and it was long, long before any other people. In the last years I <…> have thought that the ‘n-word’, it is just a word that belongs to history, so it might as well stay? But I have changed my mind because it is a word that is being used today. It is harmful, and therefore we just cannot keep it in the books about Pippi.”
In September 2014, a Swedish TV-channel presented a new edition of the popular Pippi TV-series from 1969, erasing what they called “racist expressions”. They not only changed the description of Pippi’s father, but also deleted the scene where Pippi expressed her notion on what Chinese people look like.
In a year with no clear favourites, Japanese novelist Haruki Murakami appears to be the front-runner to win the Nobel Prize for Literature this week.
Murakami, known across the globe for works such as “Norwegian Wood” and “1Q84”, heads the list at bookmaker Ladbrokes with 5/2 odds.
Also near the top of the Ladbrokes list is Canadian Alice Munro with odds of 4/1, and American Joyce Carol Oates with 8/1 odds.
Murakami has impressed the critics and won a mass readership with his intricately crafted tales of the absurdity and loneliness of modern life. His works, which are peppered with references to pop culture, have been translated to around 40 languages.
Munro is a writer of short stories, a genre that has only rarely been recognised by the Nobel committee, while Oates can look back at a prolific career spanning five decades during which she has produced more than 40 novels as well as plays and poems.
Overall, however, there is little consensus about who will win the prize, worth eight million Swedish kronor ($1,25 million, 925,000 euros). Observers also point to Belarussian writer Svetlana Alexievich and Algerian Assia Djebar as possible laureates.
The winner’s identity will be revealed at 11 GMT Thursday, when the Swedish Academy, picking as its venue the historic Bourse building in downtown Stockholm, will announce the winner of the world’s top prize for literary excellence.
A total of 195 authors have been nominated, including 48 first timers, and that is pretty much all that is known beforehand.
The deliberations of the Swedish Academy are secret and will remain closed to the public for the next 50 years, but outsiders still have some inkling of the factors that guide them — and literary fame is not among the top concerns.
“For the past 15 years, the Academy has… explored questions of literary quality, the evolution of literature, and its place in a historical context. It’s fascinating work,” said Gunilla Kindstrand, editor-in-chief at Swedish newspaper Haelsingetidningar.
“For them, it’s less important if the laureate is well-known or not.”
Or, as prominent Swedish publisher and journalist Svante Weyler put it: “The Academy takes a certain pleasure in surprising people, and acts in a slightly irrational manner.”
After last year’s prize to Chinese writer Mo Yan, whose close ties to authorities in Beijing made him controversial, the Academy has two choices this year, he said.
Either it can pick a writer who is completely apolitical, or it can choose one who is politically engaged, but not in a way that upsets the West.
“Svetlana Alexievich fits that description perfectly,” he said.
This opinion is shared by Bjoern Wiman, culture pages editor for Swedish daily Dagens Nyheter.
“The Academy ought to have recognised literary reporters in the Ryszard Kapuscinski class a long time ago,” he said, referring to the celebrated Polish foreign correspondent and writer, who died in 2007.
“Alexievich is a documentary author who writes polyphonic reportage at a very high level of accomplishment.”
He added that he believed very firmly this year’s prize would go to a female writer, something that has only happened 12 times since the award was first handed out in 1901.
Among other names that keep popping up: Poets Ko Un of South Korea and Syria’s Adonis, as well as novelists including American Philip Roth and Albanian Ismail Kadare.
It’s not essential that the winner has “written a lot of books”, argued students at Rinkebyskolan, a school in a disadvantaged neighbourhood of Stockholm which traditionally receives a visit from the literature laureate every year.
“The books have to be good, that is to say interesting and a source of inspiration, and they should motivate people to do something good for mankind,” a group of students from the school told AFP in an email.
Whether the 2013 winner fits that bill will remain a mystery for a few more days. For Weyler, the publisher, the only thing that is beyond doubt is the likely age of the laureate.
“In literature, you are rarely very good until you get old,” he said jokingly. “It’s not like mathematics where you make all the discoveries before the age of 25.”
Swedish poet Tomas Transtroemer, who won the prize in 2011 at age 80, argued that “for most writers, the Nobel Prize is a very distant phenomenon. Even though literary prizes can spur on writers, there are other forces that motivate a work.”
The winner will receive the prize in Stockholm on December 10, the anniversary of the death of Swedish industrialist and philanthropist Alfred Nobel, who established the award. – AFP
First reviews of Harry Potter author JK Rowling’s novel for adults on Thursday praised its Dickensian scope and social message, but warned the gritty, even obscene tale was a far cry from Hogwarts.
Shortly before the release of the hotly awaited “The Casual Vacancy”, several reviewers said they were taken aback to read grimy scenes of sex and drugs, but added the author’s most vivid writing was on the familiar ground of adolescence.
“I had just read a passage written by the world’s favourite children’s author in which a teenager is raped by her mother’s heroin dealer, a man who may well be the father of the girl’s own three-year-old stepbrother, although it’s hard to know for sure when the mum concerned is a prostitute,” wrote Allison Pearson in the Daily Telegraph.
She added that the novel, a story of poverty and politics in an English village — of which a million copies have been pre-ordered — was “sometimes funny, often startlingly well observed, and full of cruelty and despair”.
But the Mirror tabloid labelled it “Harry Potter and the Goblet of Filth”, warning the author famed for her stories of young wizards was “sure to face stern criticism for featuring the C-word and F-word hundreds of times”.
Set in the picturesque fictional village of Pagford in southwest England, the black comedy deals with the fight to fill a slot on the parish council after the incumbent’s sudden death, and hinges on the fate of a squalid housing estate.
Kept closely under wraps until publication, it hits bookshops on Thursday and is expected to be Britain’s top-selling fiction title this year.
In the Independent, Boyd Tonkin called it a “song of freedom” after Rowling’s seven children’s books, which made her the world’s first billionaire author.
While decrying the novel’s “clunkily satirical set-pieces”, he said it “picks up passion, verve and even magic” when dealing with its teenage characters.
“All the social and hormonal turbulence that the later Potter volumes had to veil in the euphemisms of fantasy appear in plain sight here,” he wrote. “The novel builds into a vividly melodramatic climax with these kids at its heart.”
But the Guardian’s reviewer Theo Tait labelled the edgier scenes “superficial excitements”, saying the novel created a sense of “slight anti-climax” despite its “richly peopled, densely imagined world”.
And writing in The Times, Erica Wagner said the book was founded on “the idea of the novel as a force for social good” but could be “a tiny bit dull”.
For the Telegraph’s reviewer, however, a top concern was the risk of the book falling into the wrong hands.
“In the coming days, along with thousands of parents around the world,” she wrote, “I will have to do something that offends our best instincts: I will try to stop my children reading a book.” – AFP
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