Rachel Dolezal is right: White self-hate is only logical, says US ‘academic’

Writing in the Huffington Post, a US author and “Director of P-12 Consulting and Professional Development at the Center for the Study of Race Equity in Education at the University of Pennsylvania”, Ali Michael, argues that she dan identify with Rachel Dolezal’s attempt to disguise herself as a black and renounce her white identity. Below, Michael says:

“I definitely experienced this. There was a time in my 20s when everything I learned about the history of racism made me hate myself, my Whiteness, my ancestors… and my descendants. I remember deciding that I couldn’t have biological children because I didn’t want to propagate my privilege biologically.”

Here is a slightly shortened version of Ali Michael’s column, originally entitled, I sometimes don’t want to be white either.

Rachel Dolezal is a fascinating case study in White racial identity development.* She is stuck in the immersion/emersion stage, in which White people, having learned extensively about the realities of racism, and the ugly history of White supremacy in the U.S., “immerse” themselves in trying to figure out how to be White in our society, and “emerge” with a new relationship to Whiteness. Only in the case of Dolezal, her way of dealing with the pain of the reality of racism, was to deny her own Whiteness and to become Black.

She is an extreme example of a common phenomenon. The “immersion” stage is typified by White people taking more responsibility for racism and privilege and often experiencing high levels of anger and embarrassment for racism and privilege, which they sometimes direct towards other Whites. They sometimes try to immerse themselves in communities of color, as Dolezal did. She’s not alone.

I definitely experienced this. There was a time in my 20s when everything I learned about the history of racism made me hate myself, my Whiteness, my ancestors… and my descendants. I remember deciding that I couldn’t have biological children because I didn’t want to propagate my privilege biologically.

If I was going to pass on my privilege, I wanted to pass it on to someone who doesn’t have racial privilege; so I planned to adopt. I disliked my Whiteness, but I disliked the Whiteness of other White people more. I felt like the way to really end racism was to feel guilty for it, and to make other White people feel guilty for it too. And then, like Dolezal, I wanted to take on Africanness. Living in South Africa during my junior year abroad, I lived with a Black family, wore my hair in head wraps, shaved my head. I didn’t want to be White, but if I had to be, I wanted to be White in a way that was different from other White people I knew. I wanted to be a special, different White person. The one and only. How very White of me…

Beverly Daniel Tatum has written that White people don’t choose to identify as White because the categories to choose from are loaded from the start. Traditionally, one can identify as a colorblind White person, a racist White person or an ignorant White person: those are the three ways White people get talked about as White. If those are the options, who would choose to identify as White? And so White people identify as “normal” and “Irish” and “just American” and do not self-identify racially. And that leaves us with a society in which only people of color have a race, where only people of color seem to be responsible for racialized problems. It makes it hard for all of us to know and tell our racial stories — because White people think we don’t have any. And it makes it hard for us to own our history, because we don’t see it as ours.

Many White people also feel like we don’t have culture, and this isn’t a coincidence.

Throughout the 20th century, countless immigrant groups abandoned the artifacts of cultures that racialized them as immigrants (language, religion, food, styles of speaking, gesticulations, family structures, traditions, etc.) in order to become White. And this was not just a matter of fitting in; it was about accessing rights that were reserved for White people: citizenship, land ownership, police protection, legal rights, etc.

The more one could cast off the markers of otherness, the more likely it was that one could become White. And so while the desire to become White is really the opposite of what Rachel Dolezal had, the process of becoming White that her ancestors undoubtedly went through in the great American star-off machine, may be connected to her desire to un-become White, to lose that feeling of being cultureless, of being part of an unidentified group, and to leave behind that identity that has no positive way to be. And lots of White people — myself included — do this in thousands of tiny ways as we appropriate the cultures of others (from Africa, India, Compton, Guatemala, Harlem, Mexico…) to fill in the blanks in our own.

Daniel Tatum said we need to change this. We need to give White people new ways to identify as White. Because at the end of the day, we need White people to see that we are White. When we recognize and own our Whiteness, we can account for our own portion, our one 1/billionth of responsibility for what White people have done throughout history. We can work with other White people to begin to challenge bias, ignorance and colorblindness. We can use our privilege to confront the sources of that unfair favoring.

I was lucky. The Black family I embedded myself in during my “Rachel Dolezal phase” insisted on my inherent goodness, and that of my family and even — I thought this was a stretch — of my ancestors. They helped me focus on my capacity to make change as a White person. They appreciated my desire to be Black, they teased me, they let me know in no uncertain terms that I would never be Black. I read James Baldwin, Toni Morrison, Steve Biko. I swore off White authors. But the Black authors I read saw the immersion stage coming, and they reminded me that Black people don’t need White people to help them pursue liberation, that the job of White people lies with teaching other White people, seeing ourselves clearly, owning our role in oppression.

I’m not sure what happened with Rachel Dolezal. Maybe it was mental illness. Maybe it was a desire to connect to her adopted brothers. Maybe she felt safer and more loved in Black communities. Maybe it felt good to distance herself from the overwhelming oppressiveness of Whiteness — her own and that of her country and of her ancestors. But the lesson for me is remembering how deep the pain is, the pain of realizing I’m White, and that I and my ancestors are responsible for the incredible racialized mess we find ourselves in today. The pain of facing that honestly is blinding. It’s not worse than being on the receiving end of that oppression. – Ali Michael

 

*White racial identity development was first theorized and written about by Dr. Janet Helms.

 

On the prejudices of ‘progressives’

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by Dan Roodt

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My first question upon reading this sorry little ego trip from a Daily Maverick columnist who obviously thinks she deserves the Nobel prize for literature in a few days, is: Why don’t you go back to the UK where you spent 14 halcyon years? Why return to this backward country where English is mostly a second language to everyone – even to people like you who are hardly on the English peerage list – and therefore in various states of creolisation, pidginisation, etc.?

Many sub-editors and journalists at English-language newspapers in this country are actually Afrikaners. Maybe you should go on a campaign and get them fired and replaced by born-and-bred Englishmen?

Recently the Coloured champion of English and anglicisation in South Africa, Jonathan Jansen, claimed that “English will unite us”, where Afrikaans divided us, or some such lunatic fallacy. The truth is that English, like any language, unites as well as divides. In the UK, the British class system has created almost two worlds, an upper class gossiped about in the tabloid press and an anomic, drug-ridden white underclass whose children pass out in public places as reported here.

In the USA, which until recently used to be an English-speaking country, there is the Mason-Dixon line which no longer exists politically, but which still defines two cultures. The New York Times regards Southern identity with the same suspicion as a Soviet commissar would look upon stirrings of nationalism in any satellite state. We Afrikaners have a lot in common with Southern Americans, having lost an important war in the nineteenth century but also being puritans and Calvinists. The other day I read a comment by the Austrian intellectual Erik von Kuehnelt-Leddihn describing American folk music, especially country, as Calvinist and I must admit, he is right! The contemptuous American-liberal view of “red-state fascism” corresponds very much to the Johannesburg leftist’s supercilious “interest in the oddities of post-Apartheid whiteness”, as Nicky Falkof puts it.

To me English is also a foreign language, like French. But I really love reading books in French and even sometimes, more rarely, in English. When a black taxi knocked me over on my bicycle in DF Malan Drive a few years ago, I lost a lot of what Falkof would call my white skin, and spent a week immobile on my side. To ease the pain and discomfort, I read three Jean Echenoz novels and I think his quirky, ironic prose anaesthetised me a little and took my mind away from my immediate inability to even get up and go to the toilet without help.

I have never come across a Frenchman or -woman who held me in contempt because I was not a mother-tongue writer of French. Yet, Nicky Falkof, this is what you seem to be doing: you despise people who do not happen to be “to the manner born”, to quote J.P. Donleavy. I gather you were raised in some deep corner of Houghton where anglophilia was part of your noble upbringing.

By implication you are also saying that Afrikaners like Sunette Bridges and others are foreigners because they do not speak or write British English properly. The theme of alienation, becoming-foreign in the land of one’s birth – my forebears only came here in 1701 so I have not been properly naturalised as a “South African” – is one that really interests me. We named most of the country’s towns and cities, yet we are now seen as strangers. Farm murders are also an expression of xenophobia because, at least since the revolution, Afrikaners are considered foreigners or settlers, as Thabo Mbeki, Ruth First and many others have assured us.

That said, and being a foreigner/stranger, an “étranger” – if you know the famous novella by Albert Camus bearing that title, you will understand the existential alienation concomitant with being “not of this place”, the RSA, which is now oh so English – I cannot say that I know too much about your exalted language.

Yet the one thing I do know about South African English is that it is really horrible, lacking in aesthetic sense and coherence. Even mother-tongue speakers – although that might be a contradiction in terms – make lots of mistakes all the time and of course spelling and grammar have fallen by the wayside since the revolution and Kader Asmal importing something called “outcomes-based education”. Have you heard how blacks speak English? Have you seen how some of them write it, even ones with university degrees? Because it is not their own language, but also because since 1994 they have had sub-Bantu education. Maybe you should apply some of your heart-felt linguistic snobbery there?

Or is it not politically correct to put blacks down on account of their English style, but in relation to those local whites who object to being killed, tortured and raped, it is almost de rigueur?

Your other concern, that these hapless non-English are not amenable to being manhandled and executed by Foucauldian freedom fighters, and are actually usurping the register of genteel leftist diction, might be more problematic than you think. You describe it as “a ham-fisted attempt at adopting progressive discourse”.

First of all, I regard as ham-fisted the attempts by English people such as yourself to adopt some kind of local identity. Why does Woolworths sell boerewors and koeksisters? Why are you not proud to say that you are English, hoist the Union Jack or preferably the St. George’s Cross, and leave us in our benighted enjoyment of sosaties and pap, dubious Afrikaans poetry and popular songs, including Steve Hofmeyr, much like British peers on a visit to Africa would gaze from a distance at the dancing natives in colonial times?

At its simplest level: why do you want to correct our grammar? Lately, you or your underlings have even taken to correcting Afrikaans grammar, something about which you know absolutely nothing.

At a more theoretical level – and this might be another primitive display of non-English mores, as we are straying from “common sense” now – what you call “progressive discourse” probably means some variation of Marxism. To the extent that Karl Marx used Hegel and German indealism to construct his little dogma of the class struggle, we “naive people of the veld” could level exactly the same accusation at you “progressives”: Why did you pollute Hegel with your quasi-religious social eschatology? Progressivism in itself stands revealed as a perverted – more precisely perverse, even in a sexual sense – form of idealism.

By the way, the expression “naive people of the veld” is derived from a statement made by Gillian Slovo, the daughter of South African Communist Party leader Joe Slovo who characterised all of Afrikaans culture, everything from Eugène Marais to Mimi Coertse or Arnold van Wyk, I suppose, as “the naive culture of the veld”. Gillian Slovo is English enough to remain in London and I sometimes wonder when all you “progressives” will follow her example.

Being “naive people of the veld”, we find some things difficult to understand. The cognitive limitations of the proverbial “dumb Dutchman”… One is the depths of sadism that the freedom fighters stoop to in their orgies of killing in rural areas, but sometimes in the cities too. The mutilation of the victim’s body is supposed to be a sign of clinical sadism, so we are not being semantically naive in referring to it as sadism.

The second conundrum is the depths of “progressive” contempt for our “naive culture of the veld”, our language, music, architecture, cuisine, art, literature, place names, and so on. How do we explain that contempt, even apart from the “progressive” penchant for everything British and colonial?

Is there some innate or structural connection between the sadism of the “natural born killers” stalking the countryside and the “progressive” need for humiliating, putting down and ultimately affirming a cultural and perhaps even racial superiority on the part of the cultural-Marxist nobility that rules the roost in South Africa, particularly in the media and the universities?

A phenomenon of which, needless to say, Nicky Falkof has just given us an exemplary demonstration.

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